Strangely enough, if you plan to use all three bands with this mode, you'll need to go through the same process for each of them independently, even if the results seem identical. The result is pretty hard to describe with words, but the Smart EQ seems to process the signal taking into account resonances in order to get an optimal balance. After a couple of seconds, the band doesn't respond like a classic filter anymore, but rather like an "intelligent" filter that adapts better to the source. To get an effective result, you need to analyze a significant portion of the track without too much silence. What happens when you click on the magic wand of any of the three middle bands? Well, the band toggles to Smart EQ mode and gets a small tag with a record-type button to analyze the spectral content of the processed signal. Besides, there are the bonus functions, starting with the Smart EQ. That said, it's not that much for a linear-phase EQ.
SONIBLE SMART EQ 2 REVIEW PLUS
It also has a bypass and a solo for each of the three algorithms, plus a bypass to short-circuit the plug-in as a whole without any audio drop-outs due to the latency induced by the EQ… One of the plug-in's downsides, is latency of at least 4096 samples. To finish, Frei:raum features a Clear Solo button to deactivate the solos from all bands and another one called Flat to reset the algorithm you are currently working on. This way you'll see virtual potentiometers instead of the graphical representation in the center. In addition, you can adjust the EQ "blindly" by activating the blind:flug mode through clicking on the corresponding button on the upper right corner of the interface.
Pressing the Shift key lets you lock the frequency to work only on the gain. If you do the same while pressing the Alt key on the keyboard you can adjust the Q.
SONIBLE SMART EQ 2 REVIEW CODE
A color code allows you to easily tell which band you are working on and its corresponding bandwidth. You can also "grab" and manipulate a band directly on the graphical representation in the center of the screen. The bands can be adjusted in different ways: Via the upper strip, be it by clicking and holding a given value and then sliding it up or down, or by double-clicking on it to enter a new value with the keyboard. Before explaining this peculiar "magical" mode, I'd like to say something about the usability. And, finally, the three middle bands can be set either as basic peak filters or as Smart EQs, symbolized by a small magic wand. Right next to these bands, you can choose between a peak or a shelving filter. At both ends you have a peak filter and a high-pass or low-pass. All bands are switchable and can be soloed, and have two types of filters each. Each band has the usual controls: frequency (from 20Hz to 20kHz), gain (+/- 24 dB) and Q (0 to 20). With its green upper strip, the first algorithm plays the part of the "ordinary" seven-band, linear-phase EQ.
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